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General Availability |
Tapestry
Vocal Ensemble
Laurie Monahan, mezzo-soprano Cristi Catt,
soprano Daniela Tosic, alto (and guest artists) |
"Utter perfection"
Gramophone |
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WINNER OF THE 2005 ECHO
KLASSIK PRIZE
An ensemble that "plants haunting vibrations, old and new, in our ears"
(Cleveland PlainDealer), Tapestry is "fast carving a
formidable reputation as one of North America's most polished
ensembles specializing in the performance of medieval and contemporary
vocal music.." (Classic
CD)
The trademark of the Boston ensemble of three women (plus vocal and
instrumental guests) is combining medieval repertory and contemporary
compositions in bold conceptual programming.
The ensemble made its debut in 1995 with a performance at Jordan Hall of
Steve Reich's "Tehillim," which The Boston Globe deemed "a knockout."
The Desert News commented on its recent appearance in "Tehillim"
at the Colorado Symphony's celebration of Mr. Reich's 70th birthday
"...an extraordinary vocal quartet...Singing in lovely, impeccably
delivered harmony or in effortless, mind-boggling, complex counterpoint,
the women of Tapestry delivered the Hebrew psalm texts in stirring
fashion."
Critics have hailed its rich distinctive voices, its "technically spot-on
singing" and emotionally charged performances. Tapestry has appeared
throughout the United States and in Canada; engagements abroad include the early music
festivals of Utrecht and Maastricht, Regensburger Alte Musiktage, Donne in
Musica, Jubilee Festivities for the Millenium in Rome, and the Flanders
Festival of Ghent and Brussels. Upcoming will be tours to Latvia and
Russia, including a performance at the Moscow Conservatory, and to Brazil.
Tapestry recorded
three CDs for Telarc. Of its first release for
the German label MDG "Sapphire Night", which combines music by Hildegard
von Bingen with "Nine Order of Angels" by Boston composer Patricia van
Ness, Fanfare said "a strikingly accomplished vocal
ensemble". The Suedwestfunk that featured the recording had this to say: "Medative,
ecstatic and ethereal sounds, surprisingly clear and beautiful as offered
by Tapestry. This ensemble remotely reminds one of the art of the
Bulgarian women’s choirs. They differentiate themselves from other singers
in the medieval genre by their sound. They blend as well together as, for
instance, Anonymous Four, but Tapestry’s sound is not as soft, but more in
relief, more metalic, and in expression somewhat more earthy. The vocal
ensemble masters its repertoire so brilliantly, that this old and
spiritual sound must enchant the listener...In short: a pleasure!"
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